I watch How I Met Your Mother, as you probably know; many others do too now, apparently, and there are all kinds of articles these days about how it's the best sitcom on TV this season. It is the best sitcom on TV this season, but that isn't saying much; it's nowhere near as good as Friends, which was nowhere near as good as Seinfeld, and that's how it goes. Mother isn't Friends anyway; it's The Single Guy done with proper casting. Not that I'm dissing me some Slotnick, cuz god knows that would never happen, but Mother's ensemble licks the shit out of Silverman's brood.
The other day, though, my "repressed Americans" fire alarm went off like a towering inferno. An entire episode structured around how Marshall and Lily, in nine years of couply bliss, have yet to pee in front of each other... which was presented as a disgusting "final frontier" that will forever darken their romance as they move steadfastly into old-age-dom.
Hemmena nooa?
(That's this week's "hum-nu," for the scorekeepers.)
Ladies, if we aren't pissing in front of each other by week 3 after intercourse, we're not staying together. It's not worth it. To those who say that it takes the romance out of the relationship, let me say this: urine and romance are not linked. (Well, for some people they are, but aside from begging at least three separate women to try the "Double Lindy" with me as pertains to tag-team urination, I don't go down that road.) Intimacy and romance, on the other hand; casual comfortability and romance; lack of self-consciousness and romance; these things are linked. Or should be more linked. Seriously. If you can't handle the whiz, what are you going to do when she whips out the Hummel figurines? (Besides run, which is obvious.)
And then there's Lost.
Damn, that motherfucker was pretty.
This revitalizes my belief that Lost is the best porn running. Lost is not a series, is not even "good" in any real definition of the word. It's just straight-to-the-veins full-bore visual pleasure. It is just so goddamn pleasurable to watch the finest piece of dark-man-meat walking, Naveen Andrews, strut around in front of a digitally generated Kuwaiti oil fields having philosophical discussions with a rough-and-tumble Clancy Brown. It is so fucking pleasurable to see god-lit shots of Michael Emerson (kudos, kudos, kudos for getting Michael Emerson) beaten shit-senseless and covered in sensuous rivers of his own blood, gasping for breath. It is even fundamentally, foundationally pleasurable to see the tub-roll fill with sweat under Hugo's shirt. This is the visual frenzy. This is the porniest porn in all of Hi-Def la-la-land.
Lost operates under the mantra that all network television currently must subscribe to: sustain, sustain, sustain. A few weeks ago Chris was irritated by the show's continued unwillingness to do anything but slip n' slide in the ongoing - and tediously slow - continental drift of the characters' interpersonal dynamics. (Sawyer's a bad guy now! Sayid and Ana Lucia are uneasy allies now! Jack pushed the button! Jack didn't push the button!) But doing otherwise is simply not how network programming is allowed to work any more. They must sustain sustain sustain, because the point of television now is not storytelling (if it ever was), but pulling you back next week. (This is why the "Next Week" trailers at the end of each episode are, in fact, more instructive as pop art than the show can ever be.) The lessons of The X-Files - and of Ross and Rachel - have completely overwhelmed network programming sensibilities. If you ever give away the hook that got your viewers in the first episode, you take the might risk that whatever you do afterwards might not be as interesting, and the viewers will stop coming back next week.
Sustain sustain sustain is anathema to good drama. Joss Whedon never wrote sustain sustain sustain. Six Feet Under never sustained anything. Deadwood has flipped over so many revolutions of its seeming initial premise that the series plays differently in episode 8 than it does in episode 3. And Firefly... lo for Firefly. That show didn't sustain shit. And if they really do come back post-Serenity, you're gonna see just how different something that should supposedly be the same can really be.
I don't watch 24, ER, Desperate Housewives, Grey's Anatomy, Commander in Chief, or any of the other "big" network dramas because under the mantra of sustain sustain sustain, they're all just so unbelievably frickin' boring. ALIAS pisses me off week after week and I'm damn glad it'll be out of my head in May. House is off the hook, because thank god, the procedural format doesn't require it to sustain anything - it can just do the same thing over and over again and not keep its audience on any hooks for five-plus years. (Not that its Next Week trailers aren't a porny form of art, too.)
With Lost, though, I don't care. Because Lost is porny in ways that none of the other shows are. Lost can exist entirely outside itself as a big, sensual fuck-you to the sensibilities of any rational, thinking person because it just so goddamned enjoyable to look at on an erotic level. Lost is about gorgeously sweat-shined skin, hi-definition blood and spit and snot and grime, vibrant green jungles, and nasty gay cowboys crushing tree frogs with their bare hands. Lost gives you something that no other network show can: the arm-popping narcosis of pure, unfettered departure from this very, very mundane world. And boy howdy, how did I get this far without it?