Over on Ain't It Cool, Hercules said this: "I think the minute Young Ben Linus met hippie Richard Alpert in the woods, [Lost] cemented its status as one of the 10 greatest TV shows of all time."
I disagree. I think Herc's off by about two show-hours. I'd say Lost joined the pantheon right about when drunk and broken Future Jack stepped up on a concrete abutment, whispered "forgive me" to the sky, and made to meet his holy maker.
Will it pan? Who fucking knows. The feeling around the campfire is that if the series does indeed launch to the present with the island now being set in flashbacks and if Jack must now make good on his promise to unmake his big mistake, then we're really heading somewhere. But as per the usual, there's no way to tell whether the seeming changes afoot are actually going to play out the way we're interpreting them, or if we've got it all wrong, yet again.
I love Matthew Fox. That performance was not only a perfect recapitulation of every single reason why he is the hero of the show, but it was also a fairly deeply personal piece of art for me as a viewer. Jack is a goddamned brilliantly frustrating leading man, and a rarity on television in that he's consistently forcing us to reevaluate his character, over and over again. So much for one-note TV drama.
I love Dominic Monaghan. I've had more than my fill of Charlie, thank you, but he really brought the goods in the past two episodes. In three years this series has gone from being "the one with the hobbit" to being something completely else, but I owe a debt to the fact that it was Dom who, in the first place, got me interested in watching this plane-crash series, Lost.
Does a present-tense time period for future seasons mean we get all-growed-up Walt back, full time?
Does Christian Sheppard survive his rejuvo-island experience and write Jack prescriptions for painkillers back in L.A., or has Jack gone brain-loopy?
Does the strong return of the Rival Billionaires Theory herald a new level of gamesmanship between Mssrs. Widmore and Hanso, with a returned-to-civilization Hurley as their "new money" club-mate?
Does Jack attempt to influence past events on the island by astrally projecting himself into a certain cabin, knocking the k off his name and adding an ob?
Does an empty funeral signify a bad end for James Ford, John Locke, Sayid Jarrah, or someone else entirely?
Does anyone have Evangeline Lilly's phone number, now that the hobbit is off-island?
FEBRUARY!! Fuck.