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My best of the year and best of the decade lists for film will be on Letterboxd before the end of the year, but by the end of September I was also aware of another, marginally more unsettling feeling: that…
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RUTGER HAUER (1944-2019)
Rutger Hauer was a wild actor with a widely diverse array of roles — some of them all-time great (Blade Runner!), some of them…. not so much. We look at Nighthawks and Flesh + Blood as ways of getting at…
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TONI MORRISON (1931-2019)
Author Toni Morrison leaves a huge shadow behind her as she leaves this world and moves on to the next — and we are ill-equipped to discuss. We give it a crack, though, with talk about Beloved and Tar Baby.
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Blu-ray Review: Into THE INLAND SEA With Donald Richie
Criterion devours its own tail with a movie based on a book based on a trip by a critic who has provided a lot of Criterion commentaries.
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RIP TORN (1931-2019)
Or as we like to say on the podcast, RIP Rip. We look at two wildly different films from the great character actor’s legacy: Coming Apart (1969) and Extreme Prejudice (1987).
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LARRY COHEN (1936-2019)
This month, death takes a holiday — so we return to an honouree from earlier in the year, B-movie director Larry Cohen, with discussion of his films Black Caesar and God Told Me To.
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JOHN SINGLETON (1968-2019)
John Singleton passed away, way too young, in April of this year, having directed only 10 features. We look back at some of the most important, from Boyz n the Hood to 2 Fast 2 Furious.
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Blu-ray Review: Criterion’s ONE SINGS, THE OTHER DOESN’T, A Fitting Memorial To Agnes Varda
The director’s 1977 semi-musical ode to the power and pleasures of womanhood is perfectly supported by worthwhile features on the new Blu-ray.
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Book Review: BLOOD ON BLACK WAX Takes You Back To The Sights and Sounds Of Horror Soundtracks
A focus on album art and hard-to-find releases fatten out the analysis of the great genre soundtracks of our youth.
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Blu-ray Review: MY BRILLIANT CAREER Is On Disc While The Criterion Channel Looms
Judy Davis is a boundary-breaking heroine in 1901 Australia in Gillian Armstrong’s debut feature.